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The Flayed God: The Mesoamerican Mythological Tradition Roberta and Peter Markman take us into a fierce and breathtakingly wondrous world of were jaguars, obsidian butterflies, feathered serpents, snake women, and living skeletons the world of the Popol Vuh of the Quiche Maya Tlaltecuhtli, the Earth Monster Chichen Itza and the mysterious fall of the great city of Teotihuacan This stunning collection of original tales, legends, and historical accounts explores the rich tapestry of Mesoamerican narrative myths that have survived the Conquest Some of the narratives in this selection are presented here for the first time in English translations of their original texts, while other antiquated translations have been updated We are fortunate to be able to present what remains of one of the world s great mythological traditions, write the Markmans, and even in these fragments shored against the ruins we can still sense the magnificence of that tradition From the ancient goddess of Zohalpico, perhaps the earliest known image of the village cultures, The Flayed God chronologically traces the development of the myths of creation, fertility, rulership, hero journeys, and migration within the urban mythic traditions of the Olmec, Toltec, Maya, Mixtec, and Aztec cultures Richly illustrated throughout with the strange and compelling imagery of the original codices, stelae, friezes, murals, figurines, masks, and statues, The Flayed God is among the most coherent and eminently readable volumes to date on the Mesoamerican experience The flayed god of the title is Xipe Totec, the metaphoric embodiment of the cyclical pattern of all life, a pattern promising the rebirth of man and man s sustenance, the corn, but requiring sacrificial death for the accomplishment of that rebirth He is depicted with his face covered by a mask made from the taut skin of a sacrificial victim, a mask through which we can see the wearer s own living eyes and mouth, and he also wears the skin of the flayed one as a garment In the ritual


About the Author: Roberta H. Markman

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10 thoughts on “The Flayed God: The Mesoamerican Mythological Tradition

  1. Justinian Justinian says:

    2016 08 The Flayed God The Mesoamerican Mythological Tradition Roberta H Markman Author , Peter T Markman Author 1992 456 Pages Part of my self directed study into Mesoamerican religion This book surprised I was actually uncertain and expected either a new age mumbo jumbo or a focus on the gory aspects given that Xipe Totec wear flayed human skins The book was a sober, academic text It did a fair job of surveying Mesoamerican religious thought through the use of myths It began wi 2016 08 The Flayed God The Mesoamerican Mythological Tradition Roberta H Markman Author , Peter T Markman Author 1992 456 Pages Part of my self directed study into Mesoamerican religion This book surprised I was actually uncertain and expected either a new age mumbo jumbo or a focus on the gory aspects given that Xipe Totec wear flayed human skins The book was a sober, academic text It did a fair job of surveying Mesoamerican religious thought through the use of myths It began with the migration from Asia and into the Americas talking about the nature of shamanistic religion It was sort of a revelation to me to think yea they came here with their own ideas, thoughts and traditions things they shared with those who stayed behind Religious thought and practice did not grow from nothing it was truly built up layer upon layer from the experience of the natural world From that point the book maintained aspects of this theme through the Olmecs, Mayans, Toltecs, and Aztecs It was the latter group who garnered about 40% of the books focus Using the Xipe Totec as a touch point for explanation The authors split the middle when it comes to Poly theism and Pantheism an issue of great contention in Mesoamerican studies They repeatedly refer to the shamanistic connection Great book to really prime the mind to escape my own mental frameworks and cultural conditioning I will be reviewing my notes and likely add this to my book shelf when I find a used cheap version of it


  2. Naomi Ruth Naomi Ruth says:

    I have some mixed feelings about this book It was good But, honestly It was too long The images and their notes were fabulous There was some great information, good sources But sometimes their introduction to each chapter just dragged and felt like it took forever and they would explain too much about the excerpts, or at


  3. Alan Bach Alan Bach says:

    As a resource for Mesoamerican mythological information, this book deserves at least 4 stars It gives good context for the symbolism present in the events of the stories Unfortunately for it, I rate based on enjoyment helpfulness of the book rather than how good it is as a global resource, and while it isn t the book s fault ma


  4. David David says:

    Literature professors Roberta and Peter Markman crafted in the 1990s a seminal volume for the study of Mesoamerican religious texts and art A follow up to the California couple s Masks of the Spirit, this sprawling volume applied the tools of textual analysis to a wide range of images and translated native writing The Flayed God The M


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